Weekly Architectural Insight
Berlin Jüdisches Museum designed by architect Daniel Libeskind is one of the world undisputed museums and architectural gems.
It is located next to the former Baroque courthouse Kollegienhaus designed by Philipp Gerlach, that served as a Jewish department.
The museum is a stunning architectural achievement of cultural identity with an attempt of integrating physically and spiritually the meaning of the Holocaust into the memory and consciousness of people of Berlin.
This lightning-bolt shaped building is connected with the old building, where the new structure itself seems like a separated building but not having a formal exterior entrance, is connected by three underground passageways.
The visitor must endure the anxiety of hiding and losing the sense of direction before having to choose between the three underground routes.
Looking at it from a birds view some would assume the interior would be as straight forward as its exterior, a zig-zag corridor. However, the interior spaces are extremely complex. Libeskind formulated promenade leads for people to go through galleries, empty spaces and always get into dead ends.
There are slits for windows with a result of only a silver light stripe is entering a space with the whole purpose for visitors to experience what the Jewish people during WWII felt, such that even in the darkest moments where you feel like there is no hope in escaping, a small trace of light restores that hope.
One of the most emotional and powerful spaces in the museum is a 66 feet (20 m) tall void that runs through the entire building. Also, adding a cold and overwhelming atmosphere to space are the bare concrete walls. Furthermore, the only light source in the room is a small slit that is located at the top of the room's space. The ground is covered in 10,000 coarse iron faces, as a symbol of the lost during the Holocaust.
The building is less of a museum or just space to house the museum. The building itself is an experience depicting what most cannot understand nor imagine.
“The Jewish Museum is conceived as an emblem in which the Invisible and the Visible are the structural features which have been gathered in this space of Berlin and laid bare in an architecture where the unnamed remains the name which keeps still.” -Daniel Libeskind
Source: archdaily.com , wikipedia.org , Berlin.de , jmberlin.de
谷歌seo优化 谷歌SEO优化;
Fortune Tiger Fortune Tiger;
Fortune Tiger Fortune Tiger;
Fortune Tiger Slots Fortune Tiger Slots;
Fortune Tiger Fortune Tiger;
Fortune Tiger Fortune Tiger;
Fortune Tiger Slots Fortune Tiger Slots;
EPS Machine EPS Cutting…
EPS Machine Eps Raw…
EPS Machine EPS Recycling…
EPS Machine EPS Mould;
EPS Machine EPS Block…
EPP Machine EPP Shape…
EPTU Machine ETPU Moulding…
EPS Machine Aging Silo…
EPTU Machine ETPU Moulding…
EPS Machine EPS and…
EPS Machine EPS and…
AEON MINING AEON MINING
AEON MINING AEON MINING
KSD Miner KSD Miner
KSD Miner KSD Miner
BCH Miner BCH Miner
BCH Miner BCH Miner
EPS Machine EPS Cutting…
EPS Machine Eps Raw…
EPS Machine EPS Recycling…
EPS Machine EPS Mould;
EPS Machine EPS Block…
EPP Machine EPP Shape…
EPTU Machine ETPU Moulding…
EPS Machine Aging Silo…
EPTU Machine ETPU Moulding…
EPS Machine EPS and…
EPS Machine EPS and…
AEON MINING AEON MINING
AEON MINING AEON MINING
KSD Miner KSD Miner
KSD Miner KSD Miner
BCH Miner BCH Miner
BCH Miner BCH Miner
EPS Machine EPS Cutting…
EPS Machine Eps Raw…
EPS Machine EPS Recycling…
EPS Machine EPS Mould;
EPS Machine EPS Block…
EPP Machine EPP Shape…
EPTU Machine ETPU Moulding…
EPS Machine Aging Silo…
EPTU Machine ETPU Moulding…
EPS Machine EPS and…
EPS Machine EPS and…
AEON MINING AEON MINING
AEON MINING AEON MINING
KSD Miner KSD Miner
KSD Miner KSD Miner
BCH Miner BCH Miner
BCH Miner BCH Miner